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Edinburgh Festival Fringe 2025: Provisio...

“No Apologies” by Emma Frank...

“The Ego” by Anemone Valcke ...
“Riot Days” by Pussy Riot, E...

“Thanks for Being Here” by O...

“Aether”, Edinburgh Festival...
“Little Bulb: Listen Dance”,...

“The Butterfly Who Flew Into The R...

“A Poem And A Mistake,” Edin...
“Works And Days” By The Fc B...

“Wild Thing!” By Mechanimal, Edinburgh F...
Sam Kissajukian’s “Three Hundred Paintin...

“Make It Happen,” Edinburgh ...

“Suburbia,” Written And Performed By Jon...
“Cassandra,” Written And Performed By Ai...
Karis Kelly’s “Consumed” At The Traverse...

“A Gambler’s Guide To Dying” Set In Glas...

“Athens Of The North” at the...

“Buen Camino,” Edinburgh Fes...
“From Dust.” Another Review. Holland Festival 2025.
by Róisín Daly | Aug 6, 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Stepping into From Dust feels less like attending a performance and more like consciously entering...
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The Theater of Metaverse
by Hayel Ali Al-Mathabi | May 10, 2025 | Essay, Festivals, Theatre and AI, Theatre and Science
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![Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]](data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==)
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![“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]](data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==)
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The Theater of Metaverse
- Acting
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Gurpreet Kaur Bhatti’s “Baby” at Brixton House: Compelling Performance Of A Powerful Story About Motherhood And Poverty
by Aleks Sierz | Oct 19, 2026 | Acting, Playwriting, Review, United Kingdom
Poor Baby. She’s in real trouble, and it all started with her name — which “means you’ll never...
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Crime On The German Stage (1): Comedy
by Daniel Meyer-Dinkgräfe | Sep 17, 2026 | Acting, Directing, Germany, Review
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Reflections On Running A Chamber Theatre (1)
by Daniel Meyer-Dinkgräfe | Oct 21, 2026 | Directing, Germany, Management, Producing
In a number of contributions, I want to reflect on my seven years as owner / artistic manager of...
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Death, Grief And Mourning In Performance And Comedy
by Daniel Meyer-Dinkgräfe | Oct 19, 2026 | Directing, Germany, Review
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Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic
by Aleks Sierz | Sep 26, 2025 | Acting, Dramaturgy, London, Review, United Kingdom
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
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Annie Jin Wang on Opera Dramaturgy
by Anne Hamilton | Jul 10, 2025 | Dramaturgy, Interview, Theatre and Opera, United States of America
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Ambiguous Space: A Review of the Chinese Play “L’histoire d’un Accident” at Avignon 2025
by Xunnan Li | Jul 26, 2025 | Avignon 2025, China, Chinese Theatre Abroad, Design, Review
Feng Lu’s “L’histoire d’un Accident”, presented in Avignon 2025, offers a layered exploration of theatrical space inspired by Henri Lefebvre’s theory of spatial production. The play unfolds through a play-within-a-play structure, blending backstage conflict, parody, and audience disruption to challenge the boundary between fiction and reality. A planted “spectator” blurs the line between performance and life, turning spatial ambiguity into a central aesthetic strategy. Rather than seeking clarity, the production invites audiences to dwell in uncertainty, where ambiguity becomes an essential part of how space is experienced, performed, and emotionally understood.
Reflections On Running A Chamber Theatre (1)
by Daniel Meyer-Dinkgräfe | Oct 21, 2026 | Directing, Germany, Management, Producing
In a number of contributions, I want to reflect on my seven years as owner / artistic manager of...
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Picasso’s “Barber” At The Spanish National Theatre
by Duncan Wheeler | Feb 24, 2026 | Directing, Management, Review, Spain
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From Dramatic Theatre To Post-Dramatic Stage: Form, Performance, And The Spectator
by Zeliha Kuruducu | Oct 22, 2026 | Essay, Playwriting, Theatre and Politics, United Kingdom
The social, political, environmental, and economic changes of the twentieth century have generated...




“Ja Goryl, Ty Człowiek:” Understanding Koko

“PÚPÄTKO” from the Slovak Ján Palárik Theatre

“Drapando:” Scratching For A Connection




“My Mother’s Funeral”

“The Popess” Visits The Edinburgh Fringe Festival


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“L’Addition,” S’il Vous Plait


“The Amazing Doctor She Medicine Show”

Climate Change Shakespeare. “A Midsummer’s Tempest”

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“Freak Out!” A Heady Cocktail About Climate Change

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“The Outrun”

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Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II
by Hilary Halba and Rua McCallum | Apr 22, 2026 | Education, New Zealand, Oceania, Theatre and Decolonization
To read PART I of this essay, go to this link. Having consulted with mana whenua[1]People...
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Following The Herd
by Philippa Wehle | Sep 28, 2026 | Puppetry, Review, South Africa, United States of America
Return of the Buffalo – Tatanka Owe Akupi On September 18, I made my way down to the...
A Fish Swimming Across Tanks: An Interview with Taiwanese Playwright Yu-Hsuan Chou
by Kuan-Ting Lin | Aug 26, 2026 | Interview, Playwriting, Taiwan, Transcultural Collaborations
Even with solid training in xiqu, or Chinese opera, Yu-Hsuan Chou tried to leave traditions behind...
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Iraqi Theatre in Canada: Exile Beyond Arrival
by Amir Al-Azraki | Aug 13, 2026 | Canada, Essay, Iraq, Theatre and Art
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Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part II]
by Ivanka Apostolova Baskar | Oct 22, 2026 | Interview, Slovenia, Theatre and Science
To read PART I of this interview, go to this link. IAB: Atmosphere as Performance – Your...
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Reflections On Running A Chamber Theatre (1)
by Daniel Meyer-Dinkgräfe | Oct 21, 2026 | Directing, Germany, Management, Producing
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“The Producers”: A Show of Many Media. An Exclusive Interview With Mel Brooks. Part I
by Lisa Monde | Oct 22, 2026 | Adaptation, Interview, Transmedia, United States of America
Dedicated to the 25th anniversary of the Broadway premiere of the Musical ‘The Producers’ and the...
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Following The Herd
by Philippa Wehle | Sep 28, 2026 | Puppetry, Review, South Africa, United States of America
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Julia Masli, Please Let Me In Your Cult
by Abigail Weil | Sep 18, 2026 | Estonia, Festivals, Review, United Kingdom, United States of America
Theatre – Creating Conditions For What Has Been Silenced To Emerge
by Ivanka Apostolova Baskar | May 16, 2026 | Brazil, Directing, Interview, Macedonia
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
“Don’t Look Now”: Directing Theatre About the Climate Crisis
by David O'Donnell | Jul 11, 2026 | Directing, New Zealand, Theatre and Politics
I’m trying to sell my theatre show to my neighbour, a retired farmer. He’s out walking his...
Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
by Aleks Sierz | Jan 22, 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
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The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
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SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.
ESSAYS
From Dramatic Theatre To Post-Dramatic Stage: Form, Performance, And The Spectator
by Zeliha Kuruducu | Oct 22, 2026 | Essay, Playwriting, Theatre and Politics, United Kingdom
The social, political, environmental, and economic changes of the twentieth century have generated...
INTERVIEWS
Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part II]
by Ivanka Apostolova Baskar | Oct 22, 2026 | Interview, Slovenia, Theatre and Science
To read PART I of this interview, go to this link. IAB: Atmosphere as Performance – Your...
REVIEWS
Gurpreet Kaur Bhatti’s “Baby” at Brixton House: Compelling Performance Of A Powerful Story About Motherhood And Poverty
by Aleks Sierz | Oct 19, 2026 | Acting, Playwriting, Review, United Kingdom
Poor Baby. She’s in real trouble, and it all started with her name — which “means you’ll never...
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Death, Grief And Mourning In Performance And Comedy
by Daniel Meyer-Dinkgräfe | Oct 19, 2026 | Directing, Germany, Review
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“The Prime Of Miss Jean Brodie”
by Margaret Rose | Oct 18, 2026 | Adaptation, Review, Scotland
READ ALL LATEST
Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part II]
by Ivanka Apostolova Baskar | Oct 22, 2026 | Interview, Slovenia, Theatre and Science
To read PART I of this interview, go to this link. IAB: Atmosphere as Performance – Your...
Read MorePerhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part I]
by Ivanka Apostolova Baskar | Oct 22, 2026 | Interview, Slovenia, Theatre and Science
An Interview with Ms. Saša Spačal (Ljubljana, Slovenia), a beautiful, wise and deeply inspiring...
Read MoreFrom Dramatic Theatre To Post-Dramatic Stage: Form, Performance, And The Spectator
by Zeliha Kuruducu | Oct 22, 2026 | Essay, Playwriting, Theatre and Politics, United Kingdom
The social, political, environmental, and economic changes of the twentieth century have generated...
Read More“The Producers”: A Show of Many Media. An Exclusive Interview With Mel Brooks. Part I
by Lisa Monde | Oct 22, 2026 | Adaptation, Interview, Transmedia, United States of America
Dedicated to the 25th anniversary of the Broadway premiere of the Musical ‘The Producers’ and the...
Read MoreReflections On Running A Chamber Theatre (1)
by Daniel Meyer-Dinkgräfe | Oct 21, 2026 | Directing, Germany, Management, Producing
In a number of contributions, I want to reflect on my seven years as owner / artistic manager of...
Read MoreGurpreet Kaur Bhatti’s “Baby” at Brixton House: Compelling Performance Of A Powerful Story About Motherhood And Poverty
by Aleks Sierz | Oct 19, 2026 | Acting, Playwriting, Review, United Kingdom
Poor Baby. She’s in real trouble, and it all started with her name — which “means you’ll never...
Read MoreDeath, Grief And Mourning In Performance And Comedy
by Daniel Meyer-Dinkgräfe | Oct 19, 2026 | Directing, Germany, Review
Stereotypically, the fact that all life ends in death is the one thing all human beings have in...
Read More“The Prime Of Miss Jean Brodie”
by Margaret Rose | Oct 18, 2026 | Adaptation, Review, Scotland
On a recent trip to Scotland, I was fortunate to attend the opening night of The Prime of Miss...
Read MoreWhen Painting Becomes Theatre: Scenography, Spectatorship And The Performance Of Life
by Ivanka Apostolova Baskar | Oct 18, 2026 | Interview, Macedonia, Theatre and Art
An interview with Prof. Tatjana Filipovska (Skopje, Republic of North Macedonia/UKIM Skopje), an...
Read MoreCanned Spam: The 2026 Touring Production of “Monty Python’s Spamalot”
by Matthew McMahan | Oct 15, 2026 | Review, United Kingdom
What is the shelf life of British sketch-company Monty Python? How to keep its bits, catchphrases...
Read MoreBRKFST performs “STORMCLUTTER” at College of the Holy Cross
by Paul Shields | Oct 14, 2026 | Review, Theatre and Dance, United States of America
The breaking bodies on the bare black stage are bodies of political discord, bodies of a strife...
Read MoreInternational Cooperation Takes Time: Building Relationships Through Presence, Trust And Encounter
by Ivanka Apostolova Baskar | Oct 14, 2026 | Czech Republic, Festivals, Interview
Hi Performancz: Visitors’ Programme, Ostrava 2026 PerformCzech is the Czech platform for the...
Read More“Accidental Overheards” At Fringe Off Milano International Festival
by Margaret Rose | Oct 9, 2026 | Festivals, Italy, Review, United States of America
Celebrating its tenth anniversary, Fringe Off Milano International Festival, directed by Francesca...
Read More(Married) Couples In German Theatre: Comedies By, With And About
by Daniel Meyer-Dinkgräfe | Oct 9, 2026 | Acting, Directing, Germany, Review
Across the ages, there have been dynasties of actors, most recently, among others, Redgrave and...
Read More“Jeppe on the Hill”, Directed By Christian Lollike at Aarhus Theatre
by Duška Radosavljević | Oct 6, 2026 | Denmark, Review
‘People say that Jeppe drinks, but no one asks why Jeppe drinks’. This saying in the Danish...
Read MoreJames Graham’s “The Standard of Living” at the Theatre Royal Haymarket: All-Embracing Account Of The Life And Career Of John Maynard Keynes
by Aleks Sierz | Oct 6, 2026 | London, Review, Theatre and Politics, United Kingdom
Timing is everything: James Graham’s new political history play, The Standard of Living, aptly...
Read MoreA Festival of Imported Importance: BIAF 2026 and the Provincialism of Prestige
by Emiliia Dementsova | Oct 1, 2026 | Azerbaijan, Essay, Festivals
There are at least two ways for an international arts festival to be provincial. The first is...
Read MoreFollowing The Herd
by Philippa Wehle | Sep 28, 2026 | Puppetry, Review, South Africa, United States of America
Return of the Buffalo – Tatanka Owe Akupi On September 18, I made my way down to the...
Read MoreStaatstheater Oldenburg’s “Art And Democracy” Season Scores With A Revival Of “Cabaret”
by Daniel Meyer-Dinkgräfe | Sep 28, 2026 | Acting, Directing, Germany, Review
It has been a long-established tradition for many theatres in Germany to place their seasons and...
Read MoreArtistic Production Belongs To The Changing World Of Things
by Ivanka Apostolova Baskar | Sep 22, 2026 | Interview, Macedonia, Serbia, Theatre and Science
An Interview with remarkable Mr. Velimir Abramović (Belgrade, Serbia), a Tesla scholar and an...
Read MoreGerman Summer Festival Theatre (4): An Open-Air “Midsummer Night’s Dream” By The Bremer Shakespeare Company
by Daniel Meyer-Dinkgräfe | Sep 22, 2026 | Directing, Germany, Review
The bremer shakespeare company was founded in Bremen in 1983 by a collective of nine theatre...
Read MoreJulia Masli, Please Let Me In Your Cult
by Abigail Weil | Sep 18, 2026 | Estonia, Festivals, Review, United Kingdom, United States of America
I don’t know how she did it, but by the end of Julia Masli’s ha ha ha ha ha ha ha, performed at...
Read MoreMichaela Coel’s “Chewing Gum Dreams” at Theatre 503: Revival Of 2012 Contemporary Classic Is Terrific
by Aleks Sierz | Sep 18, 2026 | London, Review, United Kingdom
Some monologues are so personal you can’t imagine another actor doing them. Right? Wrong! I’ve...
Read MoreCrime On The German Stage (1): Comedy
by Daniel Meyer-Dinkgräfe | Sep 17, 2026 | Acting, Directing, Germany, Review
On German TV, each channel has its set of regular crime drama. For example, there is the...
Read More“Kramer/Fauci” at the Philadelphia Fringe Festival
by Abigail Weil | Sep 16, 2026 | Festivals, Review, United States of America
The year is 1993. The 24-hour news cycle is roughly a decade into its existence. The first...
Read MoreNtozake Shange’s “for colored girls who have considered suicide / when the rainbow is enuf” at The Yard Theatre: Legendary 1970s Choreopoem Finally Arrives In London
by Aleks Sierz | Sep 15, 2026 | Acting, Playwriting, Review, United Kingdom
Some legendary shows are rarely revived, rarely seen in London: one of these is surely Ntozake...
Read MoreLes Misérables: “…a bombshell in the musical theatre industry”. An exclusive interview with Claude-Michel Schönberg and Jean-Pierre Van Der Spuy
by Lisa Monde | Sep 13, 2026 | Interview, Musical Theatre, United States of America
The musical Les Misérables, written by composer Claude-Michel Schönberg and Alain Boublil...
Read MoreRosalind Adler and Lea Sellers’s “Holy Fool” at Park Theatre: The Life Of Shostakovich Gets The Bio-Drama Treatment
by Aleks Sierz | Sep 8, 2026 | Documentary Theatre, Playwriting, Review, United Kingdom
Okay, it’s a very familiar problem: how do you create drama out of an artist’s life? Most great...
Read MoreBenedict Andrews’s “Electra/Persona” at the National Theatre: This Study In Ambiguity And Contradiction Is Pointless As Well As Gripping
by Aleks Sierz | Sep 8, 2026 | Adaptation, Review, Sweden, United Kingdom
“What if?” is a really provocative question. What if Greek tragedy is really about mental illness?...
Read MoreGerman Summer Festival Theatre (3): An Open Air “The Cherry Orchard”
by Daniel Meyer-Dinkgräfe | Sep 4, 2026 | Acting, Directing, Germany, Review
Theater Poetenpack was founded in 1998 by Andreas Hueck, who has continued as its artistic manager...
Read MoreIn the Mind’s Eye: Collective Imagination at the Edinburgh Fringe 2026
by Duška Radosavljević | Aug 28, 2026 | Edinburgh 2026, Essay, United Kingdom
I started my Edinburgh Fringe 2026 lying down. On a white bunk bed – a middle height one of a...
Read MoreBeyond the Velvet Ropes: Inside Lincoln Center’s Next Act
by Alexander Fatouros | Aug 28, 2026 | Interview, New York, Transmedia
For Lincoln Center for the Performing Arts, home to the New York Philharmonic, the Metropolitan...
Read MoreFrom Bacon to Bananas: Edinburgh Festival Fringe 2026 in 24 Shows
by Mert Dilek | Aug 28, 2026 | Edinburgh 2026, Festivals, Review, United Kingdom
With more than 4,200 shows making up this year’s Edinburgh Festival Fringe, twenty-four...
Read MoreA Fish Swimming Across Tanks: An Interview with Taiwanese Playwright Yu-Hsuan Chou
by Kuan-Ting Lin | Aug 26, 2026 | Interview, Playwriting, Taiwan, Transcultural Collaborations
Even with solid training in xiqu, or Chinese opera, Yu-Hsuan Chou tried to leave traditions behind...
Read MoreMost Importantly, The Child Should Experience How Theatre Can Make Kindness, Patience, Courage And Curiosity Matter
by Ivanka Apostolova Baskar | Aug 26, 2026 | Algeria, Interview, Macedonia, Theatre for Young Audiences
An interview with Laouni Bellil, a gentle and inspiring Algerian storyteller and theatre maker....
Read MoreMonumental Environment For 9-Hour Celebration Of Goethe’s “Faust” At The Goetheanum
by Daniel Meyer-Dinkgräfe | Aug 24, 2026 | Acting, Directing, Review, Switzerland
Rudolf Steiner (1861-1925) is recognized internationally as the founder of anthroposophy, which,...
Read MoreConfidence Is A Rollercoaster – Don’t Ever Pay Money To Become Famous
by Ivanka Apostolova Baskar | Aug 24, 2026 | Interview, Macedonia, Theatre and Film, United Kingdom
An Interview with deeply inspiring Tanja Tzarovska – musician, singer (for film/theatre projects),...
Read MoreDancing With Bob: Visual Arts And Dance In Dialogue With Each Other
by Ariadne Mikou | Aug 24, 2026 | Festivals, Italy, Review, Theatre and Dance
On 11 and 12 July, in Spoleto (Italy), there was the European premiere of a significant...
Read More“The Story of the Stone”: A Chinese Classic as an Epic Musical Awes Korean Audience
by Walter Byongsok Chon | Aug 21, 2026 | China, Musical Theatre, Review, South Korea
The Chinese musical The Story of the Stone was staged at the 600-seat ARKO (Arts Council Korea)...
Read MoreLaughing in Transit: Humor and Absurdism in Arab Canadian Theatre
by Amir Al-Azraki | Aug 21, 2026 | Canada, Essay, Theatre and Art
Arab Canadian theatre is frequently discussed through the language of war, displacement, exile,...
Read More“Low German” Theatre in Bremerhaven: “The Physicists” by Dürrenmatt
by Daniel Meyer-Dinkgräfe | Aug 17, 2026 | Germany, Review, Translation
In terms of linguistics, Low German (Plattdeutsch) is a language of its own, not a dialect, and...
Read MoreIraqi Theatre in Canada: Exile Beyond Arrival
by Amir Al-Azraki | Aug 13, 2026 | Canada, Essay, Iraq, Theatre and Art
Iraqi theatre did not remain in Iraq. Over the past several decades, Iraqi playwrights, actors,...
Read MoreAlan Ayckbourn’s “How the Other Half Loves” at the Old Vic: Technically Brilliant if Rather Overlong and Old-Fashioned West End Farce
by Aleks Sierz | Aug 13, 2026 | Playwriting, Review, United Kingdom
Is there a crisis in British new writing? The comparative paucity of new work in mainstream...
Read MoreCATS: Expanding the Horizons. An Exclusive Interview with Betty Buckley – Broadway’s Original Grizabella
by Lisa Monde | Aug 12, 2026 | Interview, Musical Theatre, New York
Dedicated to the 45th anniversary of the world premiere of the musical “Cats” The concept...
Read MoreA Man Without Shadows: An Interview with Theatre Artist Koh Choon Eiow, Part 2
by Yi-Ming Chen | Jul 21, 2026 | Acting, Directing, Interview, Malaysia, Playwriting, Taiwan, Theatre and Art
(Read the first part of the interview here.) Chen: In your plays, or the ways you answer...
Read MoreA Man Without Shadows: An Interview with Theatre Artist Koh Choon Eiow, Part 1
by Yi-Ming Chen | Jul 20, 2026 | Acting, Directing, Interview, Malaysia, Playwriting, Taiwan, Theatre and Art
(Read the second part of the interview here.) Outside the bright, modern meeting room on the 10th...
Read MoreBeyond the Storm, a New York City Opera Thrives
by Marcina Zaccaria | Jul 19, 2026 | New York, Review, Theatre and Opera, United States of America
That day, I aimed to view a production of The Tempest through a difficult flood. Prepared to pique an interest in the larger “theater is life” argument, I got my notebook ready. The hours passed. I sought to leave my apartment, and my transit app reported possible subway interruption. Ugh! Cancel culture, after three days of extraordinary weather, somehow won the play card again. Why hadn’t I seen the opera on opening night on Thursday?
Read More“71 Minutes of Movement:” Dance and Activism in the Twin Cities
by Corynn Harvieux | Jul 18, 2026 | Essay, Review, Theatre and Dance, Theatre and Politics, United States of America
As a dance artist, you are, at a young age, bestowed with the supposed gift to make people feel....
Read MoreWondering Jews
by Jonathan Kalb | Jul 17, 2026 | Review, Theatre and Religion, United States of America
Jonathan Spector’s new play Birthright—just opened at MCC Theater in a sharp, superbly acted...
Read MoreSpring Roundup 2026
by Jonathan Kalb | Jul 16, 2026 | Musical Theatre, Producing, Review, United States of America
Once again, the forsythias are in bloom, and that means new openings are arriving way too fast for...
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Recent Posts
- Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part II] 22nd October 2026
- Perhaps What Needs To Change Is Not The Performance, But Our Way Of Listening [Part I] 22nd October 2026
- From Dramatic Theatre To Post-Dramatic Stage: Form, Performance, And The Spectator 22nd October 2026
- “The Producers”: A Show of Many Media. An Exclusive Interview With Mel Brooks. Part I 22nd October 2026
- Reflections On Running A Chamber Theatre (1) 21st October 2026
- Gurpreet Kaur Bhatti’s “Baby” at Brixton House: Compelling Performance Of A Powerful Story About Motherhood And Poverty 19th October 2026
- Death, Grief And Mourning In Performance And Comedy 19th October 2026
- “The Prime Of Miss Jean Brodie” 18th October 2026
- When Painting Becomes Theatre: Scenography, Spectatorship And The Performance Of Life 18th October 2026
- Canned Spam: The 2026 Touring Production of “Monty Python’s Spamalot” 15th October 2026

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