“From Dust.” Another Review. Holland Festival 2025.
Stepping into From Dust feels less like attending a performance and more like consciously entering...
by Róisín Daly | Aug 6, 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Stepping into From Dust feels less like attending a performance and more like consciously entering...

by Hayel Ali Al-Mathabi | May 10, 2025 | Essay, Festivals, Theatre and AI, Theatre and Science
![Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-150x150.jpg)
![“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-150x150.jpg)



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by Daniel Meyer-Dinkgräfe | Oct 29, 2026 | Acting, Directing, Germany
Hannah Arendt (1906 – 1975) was one of the most important thinkers of the 20th century. She...
by Daniel Meyer-Dinkgräfe | Sep 17, 2026 | Acting, Directing, Germany, Review
by Milton Coykendall | Nov 4, 2026 | Directing, Review, United States of America
As I was reading this early play of Arthur Miller’s before attending the performance I was...
by Daniel Meyer-Dinkgräfe | Oct 21, 2026 | Directing, Germany, Management, Producing
by Daniel Meyer-Dinkgräfe | Oct 19, 2026 | Directing, Germany, Review
by Aleks Sierz | Sep 26, 2025 | Acting, Dramaturgy, London, Review, United Kingdom
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
by Anne Hamilton | Jul 10, 2025 | Dramaturgy, Interview, Theatre and Opera, United States of America
by Xunnan Li | Jul 26, 2025 | Avignon 2025, China, Chinese Theatre Abroad, Design, Review
Feng Lu’s “L’histoire d’un Accident”, presented in Avignon 2025, offers a layered exploration of theatrical space inspired by Henri Lefebvre’s theory of spatial production. The play unfolds through a play-within-a-play structure, blending backstage conflict, parody, and audience disruption to challenge the boundary between fiction and reality. A planted “spectator” blurs the line between performance and life, turning spatial ambiguity into a central aesthetic strategy. Rather than seeking clarity, the production invites audiences to dwell in uncertainty, where ambiguity becomes an essential part of how space is experienced, performed, and emotionally understood.
by Daniel Meyer-Dinkgräfe | Nov 3, 2026 | Germany, Management, Producing
From May to July 2019, I went through the administrative procedures of setting up the theatre...
by Daniel Meyer-Dinkgräfe | Oct 21, 2026 | Directing, Germany, Management, Producing

by Duncan Wheeler | Feb 24, 2026 | Directing, Management, Review, Spain
by Ivanka Apostolova Baskar | Oct 26, 2026 | Greece, Interview, Playwriting
To read PART I of this interview, go to this link. IAB: What role can translation play in...






























by Hilary Halba and Rua McCallum | Apr 22, 2026 | Education, New Zealand, Oceania, Theatre and Decolonization
To read PART I of this essay, go to this link. Having consulted with mana whenua[1]People...
by Philippa Wehle | Sep 28, 2026 | Puppetry, Review, South Africa, United States of America
Return of the Buffalo – Tatanka Owe Akupi On September 18, I made my way down to the...
by Philippa Wehle | Oct 29, 2026 | Festivals, France, Italy, South Korea
The 80th Avignon Festival, held from July 4 to 26, was especially exciting this year. Throughout...
by Amir Al-Azraki | Aug 13, 2026 | Canada, Essay, Iraq, Theatre and Art
by Ivanka Apostolova Baskar | Nov 3, 2026 | Albania, Directing, Interview, Italy
An interview with a deeply thoughtful European theatre director Valbona Xibri (Albania/Italy). ...
by Daniel Meyer-Dinkgräfe | Nov 3, 2026 | Germany, Management, Producing
by Milton Coykendall | Nov 4, 2026 | Directing, Review, United States of America
As I was reading this early play of Arthur Miller’s before attending the performance I was...
by Philippa Wehle | Sep 28, 2026 | Puppetry, Review, South Africa, United States of America
To read PART I of this interview, go to this link. Un procès – après l’ennemi du...
by David O'Donnell | Jul 11, 2026 | Directing, New Zealand, Theatre and Politics
I’m trying to sell my theatre show to my neighbour, a retired farmer. He’s out walking his...
by Aleks Sierz | Jan 22, 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...

by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia


Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.
by Zeliha Kuruducu | Oct 22, 2026 | Essay, Playwriting, Theatre and Politics, United Kingdom
The social, political, environmental, and economic changes of the twentieth century have generated...
by Ivanka Apostolova Baskar | Nov 3, 2026 | Albania, Directing, Interview, Italy
An interview with a deeply thoughtful European theatre director Valbona Xibri (Albania/Italy). ...
by Milton Coykendall | Nov 4, 2026 | Directing, Review, United States of America
As I was reading this early play of Arthur Miller’s before attending the performance I was...
by Milton Coykendall | Nov 4, 2026 | Directing, Review, United States of America
As I was reading this early play of Arthur Miller’s before attending the performance I was...
Read Moreby Ivanka Apostolova Baskar | Nov 3, 2026 | Albania, Directing, Interview, Italy
An interview with a deeply thoughtful European theatre director Valbona Xibri (Albania/Italy). ...
Read Moreby Daniel Meyer-Dinkgräfe | Nov 3, 2026 | Germany, Management, Producing
From May to July 2019, I went through the administrative procedures of setting up the theatre...
Read Moreby Aleks Sierz | Oct 30, 2026 | Edinburgh 2026, London, Review, Theatre and Gender, United Kingdom
I’ve lost count of how many new female monologues have been called the “next Fleabag”. Really. But...
Read Moreby Daniel Meyer-Dinkgräfe | Oct 29, 2026 | Acting, Directing, Germany
Hannah Arendt (1906 – 1975) was one of the most important thinkers of the 20th century. She...
Read MoreTo read PART I of this interview, go to this link. Un procès – après l’ennemi du...
Read Moreby Philippa Wehle | Oct 29, 2026 | Festivals, France, Italy, South Korea
The 80th Avignon Festival, held from July 4 to 26, was especially exciting this year. Throughout...
Read Moreby Siraya PAI | Oct 27, 2026 | Festivals, South Korea, Taiwan, Translation
If we view playwriting as a literary form, what distinguishes it from others is its reliance on...
Read Moreby Ivanka Apostolova Baskar | Oct 26, 2026 | Greece, Interview, Playwriting
To read PART I of this interview, go to this link. IAB: What role can translation play in...
Read Moreby Ivanka Apostolova Baskar | Oct 26, 2026 | Greece, Interview, Playwriting
An Interview with the Motivating and Deeply Creative Dr. Irene Moundraki, Dramaturg and Theatre...
Read Moreby Ivanka Apostolova Baskar | Oct 22, 2026 | Interview, Slovenia, Theatre and Science
To read PART I of this interview, go to this link. IAB: Atmosphere as Performance – Your...
Read Moreby Ivanka Apostolova Baskar | Oct 22, 2026 | Interview, Slovenia, Theatre and Science
An Interview with Ms. Saša Spačal (Ljubljana, Slovenia), a beautiful, wise and deeply inspiring...
Read Moreby Zeliha Kuruducu | Oct 22, 2026 | Essay, Playwriting, Theatre and Politics, United Kingdom
The social, political, environmental, and economic changes of the twentieth century have generated...
Read Moreby Lisa Monde | Oct 22, 2026 | Adaptation, Interview, Transmedia, United States of America
Dedicated to the 25th anniversary of the Broadway premiere of the Musical ‘The Producers’ and the...
Read Moreby Daniel Meyer-Dinkgräfe | Oct 21, 2026 | Directing, Germany, Management, Producing
In a number of contributions, I want to reflect on my seven years as owner / artistic manager of...
Read Moreby Aleks Sierz | Oct 19, 2026 | Acting, Playwriting, Review, United Kingdom
Poor Baby. She’s in real trouble, and it all started with her name — which “means you’ll never...
Read Moreby Daniel Meyer-Dinkgräfe | Oct 19, 2026 | Directing, Germany, Review
Stereotypically, the fact that all life ends in death is the one thing all human beings have in...
Read Moreby Margaret Rose | Oct 18, 2026 | Adaptation, Review, Scotland
On a recent trip to Scotland, I was fortunate to attend the opening night of The Prime of Miss...
Read Moreby Ivanka Apostolova Baskar | Oct 18, 2026 | Interview, Macedonia, Theatre and Art
An interview with Prof. Tatjana Filipovska (Skopje, Republic of North Macedonia/UKIM Skopje), an...
Read Moreby Matthew McMahan | Oct 15, 2026 | Review, United Kingdom
What is the shelf life of British sketch-company Monty Python? How to keep its bits, catchphrases...
Read Moreby Paul Shields | Oct 14, 2026 | Review, Theatre and Dance, United States of America
The breaking bodies on the bare black stage are bodies of political discord, bodies of a strife...
Read Moreby Ivanka Apostolova Baskar | Oct 14, 2026 | Czech Republic, Festivals, Interview
Hi Performancz: Visitors’ Programme, Ostrava 2026 PerformCzech is the Czech platform for the...
Read Moreby Margaret Rose | Oct 9, 2026 | Festivals, Italy, Review, United States of America
Celebrating its tenth anniversary, Fringe Off Milano International Festival, directed by Francesca...
Read Moreby Daniel Meyer-Dinkgräfe | Oct 9, 2026 | Acting, Directing, Germany, Review
Across the ages, there have been dynasties of actors, most recently, among others, Redgrave and...
Read Moreby Duška Radosavljević | Oct 6, 2026 | Denmark, Review
‘People say that Jeppe drinks, but no one asks why Jeppe drinks’. This saying in the Danish...
Read Moreby Aleks Sierz | Oct 6, 2026 | London, Review, Theatre and Politics, United Kingdom
Timing is everything: James Graham’s new political history play, The Standard of Living, aptly...
Read Moreby Emiliia Dementsova | Oct 1, 2026 | Azerbaijan, Essay, Festivals
There are at least two ways for an international arts festival to be provincial. The first is...
Read Moreby Philippa Wehle | Sep 28, 2026 | Puppetry, Review, South Africa, United States of America
Return of the Buffalo – Tatanka Owe Akupi On September 18, I made my way down to the...
Read Moreby Daniel Meyer-Dinkgräfe | Sep 28, 2026 | Acting, Directing, Germany, Review
It has been a long-established tradition for many theatres in Germany to place their seasons and...
Read Moreby Ivanka Apostolova Baskar | Sep 22, 2026 | Interview, Macedonia, Serbia, Theatre and Science
An Interview with remarkable Mr. Velimir Abramović (Belgrade, Serbia), a Tesla scholar and an...
Read Moreby Daniel Meyer-Dinkgräfe | Sep 22, 2026 | Directing, Germany, Review
The bremer shakespeare company was founded in Bremen in 1983 by a collective of nine theatre...
Read Moreby Abigail Weil | Sep 18, 2026 | Estonia, Festivals, Review, United Kingdom, United States of America
I don’t know how she did it, but by the end of Julia Masli’s ha ha ha ha ha ha ha, performed at...
Read Moreby Aleks Sierz | Sep 18, 2026 | London, Review, United Kingdom
Some monologues are so personal you can’t imagine another actor doing them. Right? Wrong! I’ve...
Read Moreby Daniel Meyer-Dinkgräfe | Sep 17, 2026 | Acting, Directing, Germany, Review
On German TV, each channel has its set of regular crime drama. For example, there is the...
Read Moreby Abigail Weil | Sep 16, 2026 | Festivals, Review, United States of America
The year is 1993. The 24-hour news cycle is roughly a decade into its existence. The first...
Read Moreby Aleks Sierz | Sep 15, 2026 | Acting, Playwriting, Review, United Kingdom
Some legendary shows are rarely revived, rarely seen in London: one of these is surely Ntozake...
Read Moreby Lisa Monde | Sep 13, 2026 | Interview, Musical Theatre, United States of America
The musical Les Misérables, written by composer Claude-Michel Schönberg and Alain Boublil...
Read Moreby Aleks Sierz | Sep 8, 2026 | Documentary Theatre, Playwriting, Review, United Kingdom
Okay, it’s a very familiar problem: how do you create drama out of an artist’s life? Most great...
Read Moreby Aleks Sierz | Sep 8, 2026 | Adaptation, Review, Sweden, United Kingdom
“What if?” is a really provocative question. What if Greek tragedy is really about mental illness?...
Read Moreby Daniel Meyer-Dinkgräfe | Sep 4, 2026 | Acting, Directing, Germany, Review
Theater Poetenpack was founded in 1998 by Andreas Hueck, who has continued as its artistic manager...
Read Moreby Duška Radosavljević | Aug 28, 2026 | Edinburgh 2026, Essay, United Kingdom
I started my Edinburgh Fringe 2026 lying down. On a white bunk bed – a middle height one of a...
Read Moreby Alexander Fatouros | Aug 28, 2026 | Interview, New York, Transmedia
For Lincoln Center for the Performing Arts, home to the New York Philharmonic, the Metropolitan...
Read Moreby Mert Dilek | Aug 28, 2026 | Edinburgh 2026, Festivals, Review, United Kingdom
With more than 4,200 shows making up this year’s Edinburgh Festival Fringe, twenty-four...
Read Moreby Kuan-Ting Lin | Aug 26, 2026 | Interview, Playwriting, Taiwan, Transcultural Collaborations
Even with solid training in xiqu, or Chinese opera, Yu-Hsuan Chou tried to leave traditions behind...
Read Moreby Ivanka Apostolova Baskar | Aug 26, 2026 | Algeria, Interview, Macedonia, Theatre for Young Audiences
An interview with Laouni Bellil, a gentle and inspiring Algerian storyteller and theatre maker....
Read Moreby Daniel Meyer-Dinkgräfe | Aug 24, 2026 | Acting, Directing, Review, Switzerland
Rudolf Steiner (1861-1925) is recognized internationally as the founder of anthroposophy, which,...
Read Moreby Ivanka Apostolova Baskar | Aug 24, 2026 | Interview, Macedonia, Theatre and Film, United Kingdom
An Interview with deeply inspiring Tanja Tzarovska – musician, singer (for film/theatre projects),...
Read Moreby Ariadne Mikou | Aug 24, 2026 | Festivals, Italy, Review, Theatre and Dance
On 11 and 12 July, in Spoleto (Italy), there was the European premiere of a significant...
Read Moreby Walter Byongsok Chon | Aug 21, 2026 | China, Musical Theatre, Review, South Korea
The Chinese musical The Story of the Stone was staged at the 600-seat ARKO (Arts Council Korea)...
Read Moreby Amir Al-Azraki | Aug 21, 2026 | Canada, Essay, Theatre and Art
Arab Canadian theatre is frequently discussed through the language of war, displacement, exile,...
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