LATEST NEWS FROM AROUND THE WORLD
Becoming a Citizen Dramaturg
Renée Fleming’s Cities That Sing
How Urdu Theater Is Reaching Out to New Audiences
Memorial To Professor Maya Harbuzyuk
Egypt Joins Jordan’s Open-Space Theatre Festival
“All Of It” at the Royal Court
Octavian Saiu, Professor of Theatre Studies and the President of the International Association of Theatre Leaders (IATL), in dialogue with Robert Lepage in the context of the presentation of his show, 887, at Craiova Shakespeare Festival.
Edinburgh Festivals, May Luck Be With You
Edinburgh Fringe 2023: Overview
Edinburgh Fringe 2023: #Danish Ed Fringe
Big In Belgium At The Edinburgh Fringe 2023
Tartuffe or the Hypocrite: Tartare of Tartuffe
“Leaning Church”: The Voices of a Vanished City
“Fear Eats The Soul”: Love In The Grip of Hate
“The Book of Ruth”: Kaddish For Peaceful Life
“Report to an Academy”: To Be or Not to Be Human?
“Nora”: Present Continuous Hell
They Were People: Brittany K. Allen’s “Redwood” at EST
by Rhiannon Ling | Nov 20, 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
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God Is Alive, Magic Is Afoot
by Kopano Maroga | Oct 1, 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
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- Africa
- Asia
- Europe
- North America
- South America
- Oceania
More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
by Jeune Théâtre Européen Jeunes Publics | Feb 29, 2024 | Essay, France, Germany, Greece, Ireland, Producing, Serbia, Tunisia
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
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God Is Alive, Magic Is Afoot
by Kopano Maroga | Oct 1, 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
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Shifting the Spotlight: Exploring the Scarcity of Female Voices in Iraqi Theatre
by Amir Al-Azraki | Jan 7, 2024 | Essay, Iraq, Playwriting, Theatre and Gender
Upon the release of Contemporary Plays from Iraq in 2017, my focus shifted to translating works...
“The Bald Soprano,” French Absurd Theater Becomes a German Contemporary Opera Buffa
by Antonio Hernández Nieto | Mar 18, 2024 | Germany, Review, Theatre and Opera
There are some myths about the opera that are not true. Firstly, that young people do not like...
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“This Is Our Home” – Online Theatre Three Years Later
by Teodora Medeleanu | Mar 7, 2024 | Review, Transmedia, Ukraine
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Becoming a Citizen Dramaturg
by Liv Lanteri | Feb 24, 2024 | Dramaturgy, Education, News, United States of America
What is a citizen-dramaturg? Could I study it at a university? Is it merely a state of mind? Would...
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Musical “Evita”: 45 Years Later
by Lisa Monde | Feb 22, 2024 | Interview, Musical Theatre, New York, United States of America
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Sergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
by Aleks Sierz | Feb 14, 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
Theatre Against Ageism: “The Secret Lives of Extremely Old People” by Rachel McAlpine
by David O'Donnell | Feb 5, 2024 | Documentary Theatre, New Zealand, Theatre and Age
In a year in which 77-year-old Dolly Parton recorded her first rock record, the octogenarian...
The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.
Tartuffe or the Hypocrite: Tartare of Tartuffe
“Leaning Church”: The Voices of a Vanished City
“Fear Eats The Soul”: Love In The Grip of Hate
“The Book of Ruth”: Kaddish For Peaceful Life
How Urdu Theater Is Reaching Out to New Audiences
68th Sterijino pozorje: A critical dialogue
Egypt Joins Jordan’s Open-Space Theatre Festival
The ENTRE Festival in Midwest Brazil
“Trade/Motorhead” at PROTOTYPE 2023 Festival
“Undine” at PROTOTYPE 2023 Festival
“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival
“note to a friend” at PROTOTYPE 2023 Festival
“Morning//Mourning” at PROTOTYPE 2023 Festival
“Flo & Joan,” Lund Comedy Festival
Highlights from the Mladi Levi Festival in Ljubljana
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Jack Thorne’s “The Motive and the Cue” at the Noël Coward Theatre: Jack Thorne’s History Play About Gielgud And Burton Transfers To The West End
by Aleks Sierz | Jan 1, 2024 | Acting, Playwriting, Review, United Kingdom
This transfer of Jack Thorne’s hit National Theatre play to the West End has been hailed as...
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“A Mirror” at Almeida Theatre
by Aleks Sierz | Sep 3, 2023 | Acting, London, Review, United Kingdom
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Arden of Faversham: A True Crime Thriller
by Clare Cioffero | Apr 10, 2023 | Acting, New York, Review, United States of America
Tartuffe or the Hypocrite: Tartare of Tartuffe
by Emiliia Dementsova | Oct 25, 2023 | Directing, Festivals, Hungary, Review, Theatre Olympics 2023
One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
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Eugene Ma Wants to Shake Up Hong Kong Theater
by Molly Grogan | Jul 10, 2023 | Directing, Essay, Hong Kong, Musical Theatre
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Becoming a Citizen Dramaturg
by Liv Lanteri | Feb 24, 2024 | Dramaturgy, Education, News, United States of America
What is a citizen-dramaturg? Could I study it at a university? Is it merely a state of mind? Would...
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God Is Alive, Magic Is Afoot
by Kopano Maroga | Oct 1, 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
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Creativity on the Edge, Communication with the Centre, and Conversations about the Future
by Miriam Haughton and Patricia O’Beirne | Jan 27, 2024 | Design, Essay, Ireland, Producing
Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
by Maria Delgado | Feb 14, 2023 | Adaptation, Design, Directing, Review, Spain
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“Lazarus 1972–2022” by Ping Chong
by Clare Cioffero | Jan 10, 2023 | Design, New York, Puppetry, Review, United States of America
The Opening of Barcelona’s Newest Theatre: Àlex Rigola Stages Thomas Bernhard’s “L’home De Teatre”
by Maria Delgado | Dec 21, 2023 | Management, Review, Spain, Theatre and Politics
The relationship between theatre and life has been pervaded the work of dramatists from...
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Polish People Deserve Better From Irish Theatre…
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
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Sergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
by Aleks Sierz | Feb 14, 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
ESSAYS
More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
by Jeune Théâtre Européen Jeunes Publics | Feb 29, 2024 | Essay, France, Germany, Greece, Ireland, Producing, Serbia, Tunisia
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
INTERVIEWS
Musical “Evita”: 45 Years Later
by Lisa Monde | Feb 22, 2024 | Interview, Musical Theatre, New York, United States of America
Tim Rice became interested in the biography of Eva Perón – the wife of the famous dictator Juan...
REVIEWS
“The Bald Soprano,” French Absurd Theater Becomes a German Contemporary Opera Buffa
by Antonio Hernández Nieto | Mar 18, 2024 | Germany, Review, Theatre and Opera
There are some myths about the opera that are not true. Firstly, that young people do not like...
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“This Is Our Home” – Online Theatre Three Years Later
by Teodora Medeleanu | Mar 7, 2024 | Review, Transmedia, Ukraine
READ ALL LATEST
“The Bald Soprano,” French Absurd Theater Becomes a German Contemporary Opera Buffa
by Antonio Hernández Nieto | Mar 18, 2024 | Germany, Review, Theatre and Opera
There are some myths about the opera that are not true. Firstly, that young people do not like...
Read MoreTim Price’s “Nye” at the National Theatre: A Fun Life of the Creator of the National Health Service
by Aleks Sierz | Mar 14, 2024 | London, Review, Theatre and Politics, United Kingdom
For me, this is the most emotional show on the London stage. Why’s that? Because it’s about Nye...
Read More“This Is Our Home” – Online Theatre Three Years Later
by Teodora Medeleanu | Mar 7, 2024 | Review, Transmedia, Ukraine
The performance follows four women in different parts of Ukraine, at various distances from the...
Read MoreLucy Kirkwood’s “The Human Body” at the Donmar Warehouse: Twin Tales of Illicit Love and the Founding of the National Health Service
by Aleks Sierz | Mar 6, 2024 | Review, Theatre and Politics, United Kingdom
It’s election year so the gaze of British theatre turns towards the National Health Service. But,...
Read MoreMarius von Mayenburg’s Nachtland at the Young Vic: Satire on Art and Anti-Semitism Is Both Absurdist and Unsettling
by Aleks Sierz | Mar 4, 2024 | Germany, London, Review, Theatre and Politics, United Kingdom
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
Read MoreAscanio Celestini’s “Rumba. The Donkey and the Ox”
by Margaret Rose | Mar 1, 2024 | Italy, Review, Theatre and Religion
Writer, actor, and director Ascanio Celestini is one of Italy’s most celebrated theatrical...
Read MoreMore Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
by Jeune Théâtre Européen Jeunes Publics | Feb 29, 2024 | Essay, France, Germany, Greece, Ireland, Producing, Serbia, Tunisia
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
Read MoreMultilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project
by Kasia Lech | Feb 28, 2024 | Essay, France, Germany, Greece, Ireland, Theatre and Politics, Theatre for Young Audiences, Tunisia
The growing levels of migration results in an increasing number of children across Europe growing...
Read MorePeter Sellars’ “Beatrice di Tenda”: Freedom, Defiance, and Tyranny
by Maria Delgado | Feb 27, 2024 | France, Review, Spain, Theatre and Opera
Vincenzo Bellini’s penultimate opera, Beatrice di Tenda, rests between two more frequently...
Read MoreHenrik Ibsen’s An Enemy of the People at the Duke of York’s Theatre: Thomas Ostermeier’s West End Debut Has Starry Cast And Punk Aesthetics
by Aleks Sierz | Feb 26, 2024 | London, Review, Theatre and Politics, United Kingdom
It’s a sign of the times that German director Thomas Ostermeier’s West End debut is his production...
Read MoreBecoming a Citizen Dramaturg
by Liv Lanteri | Feb 24, 2024 | Dramaturgy, Education, News, United States of America
What is a citizen-dramaturg? Could I study it at a university? Is it merely a state of mind? Would...
Read MoreMusical “Evita”: 45 Years Later
by Lisa Monde | Feb 22, 2024 | Interview, Musical Theatre, New York, United States of America
Tim Rice became interested in the biography of Eva Perón – the wife of the famous dictator Juan...
Read MoreOscar Wilde’s “The Picture of Dorian Gray” at the Theatre Royal Haymarket
by Mert Dilek | Feb 19, 2024 | London, Review, United Kingdom
A solo performance in theatre may often trap us inside a single dramatic character, taking us deep...
Read MoreNeurodivergent New Play Series Resumes Schedule for 2024
by Jenna Lourenco | Feb 18, 2024 | Essay, New York, Theatre and Disability, United States of America
The Neurodivergent New Play Series, produced by Piccione Arts, is set to resume its regular third...
Read MoreAlberto Conejero’s “En Mitad de Tanto Fuego” (In the Midst of So Much Fire): Addressing the Gaps from the Margins
by Maria Delgado | Feb 15, 2024 | Review, Spain
Alberto Conejero’s trajectory as a playwright has been rooted in telling the stories that have...
Read MoreSergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
by Aleks Sierz | Feb 14, 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
Read MoreYoung Choreographers at Teatro dell’Opera di Roma
by Ariadne Mikou | Feb 14, 2024 | Italy, Review, Theatre and Dance, Theatre and Opera
For the corps de ballet of an Opera House, the place par excellence for the preservation of the...
Read MoreJez Butterworth’s “The Hills of California” at the Harold Pinter Theatre: Warm Evocation of 1950s Pop Culture Is Fun, But Lacks Dramatic Resolution
by Aleks Sierz | Feb 11, 2024 | London, Playwriting, Review, Theatre and Gender, United Kingdom
In West End theatre, the cliché that nothing succeeds like success keeps the wheels of commerce...
Read MoreOn the “POTUS” Trail with Bekah Walsh
by Trevor Boffone | Feb 10, 2024 | Theatre and Gender, Theatre and Politics, United States of America
Every day is a cunty day for Bekah Walsh. The Baltimore-based theatre nerd turned prolific...
Read MoreRage and Fury: Calixto Bieito Stages Aribert Reimann’s “Lear” at the Teatro Real Madrid
by Maria Delgado | Feb 8, 2024 | Review, Spain
Shakespeare’s King Lear has defied composers who refused invitations to render this bleakest...
Read More“Misericordia” (Mercy) at Madrid’s Teatro Valle Inclán: Families, (Auto)fiction and Exile
by Maria Delgado | Feb 6, 2024 | Review, Spain
There is a lot to admire in Denise Despeyroux’s newest play produced by the Centro Dramático...
Read MoreA Beginner’s Guide To Santiago a Mil 2024: 10 Key Takeaways From One of Latin America’s Most Important Theatre Festivals
by Maria Delgado | Feb 6, 2024 | Chile, News, Santiago a Mil 2024
Santiago a Mil is an annual theatre and performing arts festival held in the Chilean capital in...
Read MoreTheatre Against Ageism: “The Secret Lives of Extremely Old People” by Rachel McAlpine
by David O'Donnell | Feb 5, 2024 | Documentary Theatre, New Zealand, Theatre and Age
In a year in which 77-year-old Dolly Parton recorded her first rock record, the octogenarian...
Read More“The Fantastical Fellowship:” Niche Comedy at Under St. Mark’s
by Rhiannon Ling | Feb 5, 2024 | Immersive Theatre, New York, Review, United States of America, Worldwide
For lovers of the fantastical and the geeky, the scene at Under St. Mark’s is one of nostalgia and...
Read MoreSam Holcroft’s “A Mirror” at the Trafalgar Theatre
by Mert Dilek | Feb 4, 2024 | London, Review, Theatre and Politics, United Kingdom
“This play is a lie,” boldly declares the poster of Sam Holcroft’s new play A Mirror, now playing...
Read MoreDisability Representation and the Rise and Fall of How to Dance in Ohio
by Morgan Skolnik | Feb 3, 2024 | New York, Review, Theatre and Disability, United States of America
On Monday How to Dance in Ohio, one of the most hyped shows of the 2023 Broadway fall season,...
Read MoreZoe Cooper’s Northanger Abbey at the Orange Tree Theatre: High Energy and Queer-eyed Adaptation of Jane Austen Classic
by Aleks Sierz | Jan 31, 2024 | London, Review, United Kingdom
Jane Austen is not just a classic novelist — she’s a cultural institution and a national treasure....
Read MoreTheTheatreTimes.com: Towards Transnational Digital Infrastructure
by Magda Romanska and Kasia Lech | Jan 27, 2024 | Editorial, Essay, Worldwide
Written by Magda Romanska and Kasia Lech All theatre is local. All theatre is global. Both...
Read MoreCreativity on the Edge, Communication with the Centre, and Conversations about the Future
by Miriam Haughton and Patricia O’Beirne | Jan 27, 2024 | Design, Essay, Ireland, Producing
Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
Read MoreInterview with Brilliant Les Dramaturx (Germany): Playfully, In the Sense of Autonomous Art, or Politically, In the Sense of Artivism.
by Ivanka Apostolova Baskar | Jan 26, 2024 | Germany, Interview, Theatre and Art, Theatre and Gender
Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...
Read MoreDealing with a Difficult Past: Guillermo Calderón’s “Villa” at Santiago a Mil
by Maria Delgado | Jan 24, 2024 | Chile, Review, Santiago a Mil 2024
Catching up with Guillermo Calderón’s Villa at Santiago a Mil after almost 12 years has been a...
Read MoreDesign Writing: Five Views of Sarah Ruhl’s “Eurydice”
by Michael Schweikardt, Connor Diaz, Tristan Fabiunke, Jessa Laboissonniere, Bre Lawscha, Benjamin Zingos | Jan 24, 2024 | Design, Essay, United States of America
Introduction by Michael Schweikardt Student designers at San Francisco State University’s School...
Read More“El Lector Por Horas/Reader By The Hours.” A Successful Spanish Play That Also Deserves To Be A Global Hit
by Antonio Hernández Nieto | Jan 23, 2024 | Playwriting, Review, Spain
Sanchis Sinisterra is a Spanish playwright with a long career and many successes who is in the...
Read MoreActor on the Verge of a Nervous Breakdown: “El Brote” (The Break) at Santiago a Mil
by Maria Delgado | Jan 23, 2024 | Chile, Review, Santiago a Mil 2024
El Brote (The Break) is the tale of an actor who doesn’t feel he’s had the career breaks his...
Read MoreNYC Artists Stand in Solidarity with The Freedom Theatre
by Morgan Skolnik | Jan 22, 2024 | New York, News, Theatre and Politics, United States of America
On January 13th, hundreds of artists and cultural workers marched through New York City’s theater...
Read MorePerformance and Politics: “Parlamento” (Parliament) Storms Santiago a Mil
by Maria Delgado | Jan 20, 2024 | Chile, Review, Santiago a Mil 2024
Piel de Lava have been making work for 20 years and it shows. Elisa Carricajo, Valeria Correa,...
Read MoreMaking a Film on Santiago’s Streets: “Efectos especiales” at Santiago a Mil
by Maria Delgado | Jan 19, 2024 | Chile, Review, Santiago a Mil 2024
Think of a film set where the audience gathered on the streets are not fully aware that they are...
Read MoreDepression and discontents: Daniel Veronese’s staging of “La persona deprimida” (The Depressed Person) at Santiago a Mil
by Maria Delgado | Jan 18, 2024 | Chile, Review, Santiago a Mil 2024
I read David Foster Wallace’s short story The Depressed Person soon after it was published in...
Read MoreFrom 1984 to 2024: Teatro Ictus’s “Primavera Con Una Esquina Rota” (Springtime In a Broken Mirror) at Santiago a Mil
by Maria Delgado | Jan 17, 2024 | Chile, Review, Santiago a Mil 2024
Primavera con una esquina rota (Springtime in a broken mirror) has acquired a legendary status....
Read More“María Isabel” at Santiago a Mil: Staging Political Agency
by Maria Delgado | Jan 16, 2024 | Chile, Festivals, Review, Santiago a Mil 2024
How does one “write” a life for the stage? This question lies at the heart of Ana Luz...
Read MoreMarilyn Monroe – The Family Babysitter: Luke Yankee and the Creation of “Marilyn, Mom & Me”
by Colden Lamb | Jan 16, 2024 | Interview, Los Angeles, Playwriting, United States of America
This February, International City Theatre will present the world premiere of a new play, Marilyn,...
Read MoreShifting the Spotlight: Exploring the Scarcity of Female Voices in Iraqi Theatre
by Amir Al-Azraki | Jan 7, 2024 | Essay, Iraq, Playwriting, Theatre and Gender
Upon the release of Contemporary Plays from Iraq in 2017, my focus shifted to translating works...
Read MoreMiguel del Arco’s “Rigoletto” at Madrid’s Teatro Real: In-Yer-Face Opera for In-Yer-Face Times
by Maria Delgado | Jan 6, 2024 | Review, Spain, Theatre and Opera
I am going to be honest. I didn’t see Verdi’s Rigoletto at the Real. I had wanted and planned to...
Read More“Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta.
by Emily Cordes | Jan 4, 2024 | Interview, Musical Theatre, New York, Theatre and Politics, United States of America
Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...
Read More“The Maids” by Genet: The Logic of the Paradox
by Lisa Monde | Jan 2, 2024 | France, Interview, Theatre and Gender, United States of America
Dedicated to the 70th anniversary of the first publication and production of Jean Genet’s unique...
Read MoreJack Thorne’s “The Motive and the Cue” at the Noël Coward Theatre: Jack Thorne’s History Play About Gielgud And Burton Transfers To The West End
by Aleks Sierz | Jan 1, 2024 | Acting, Playwriting, Review, United Kingdom
This transfer of Jack Thorne’s hit National Theatre play to the West End has been hailed as...
Read MoreThe Opening of Barcelona’s Newest Theatre: Àlex Rigola Stages Thomas Bernhard’s “L’home De Teatre”
by Maria Delgado | Dec 21, 2023 | Management, Review, Spain, Theatre and Politics
The relationship between theatre and life has been pervaded the work of dramatists from...
Read MoreGreat Acting: Training Your Mind and Body to be Perceptive – Learning About Yourself and Your Surroundings. An Interview with Zdravko Stojmirov
by Ivanka Apostolova Baskar | Dec 21, 2023 | Acting, Interview, Macedonia
Zdravko Stojmirov worked on many theater projects, TV series and short films. He participated in...
Read More“Vudú (3318) Blixen” or a Complex Naïve Way to Exorcise Pain
by Antonio Hernández Nieto | Dec 20, 2023 | Review, Spain, Theatre and Gender
There is nothing like going to a world premiere. Being one of the first to see something brand...
Read More“Macbeth” at the Donmar Warehouse
by Mert Dilek | Dec 20, 2023 | London, Review, United Kingdom
How to render Macbeth anew—and how to do it well? It’s a question that has undoubtedly preoccupied...
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- Lucy Kirkwood’s “The Human Body” at the Donmar Warehouse: Twin Tales of Illicit Love and the Founding of the National Health Service 6th March 2024
- Marius von Mayenburg’s Nachtland at the Young Vic: Satire on Art and Anti-Semitism Is Both Absurdist and Unsettling 4th March 2024
- Ascanio Celestini’s “Rumba. The Donkey and the Ox” 1st March 2024
- More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives 29th February 2024
- Multilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project 28th February 2024
- Peter Sellars’ “Beatrice di Tenda”: Freedom, Defiance, and Tyranny 27th February 2024
- Henrik Ibsen’s An Enemy of the People at the Duke of York’s Theatre: Thomas Ostermeier’s West End Debut Has Starry Cast And Punk Aesthetics 26th February 2024